Monthly Archives: August 2016

BBC comedy ’spoof’ about Farage sounds alarm bells

BBC comedy ’spoof’ about Farage sounds alarm bells

So finally, then, the BBC is going to make a programme about Nigel Farage.

Not – as might maybe expected from the UK’s main public service broadcaster – a documentary explaining his remarkable role over 20 years in triggering the UK’s exit from the European Union.

That’s not yet in the pipeline. The Corporation is still far too busy finding different ways of telling us what a mistake Brexit is. Monday’s Today programme, for example, had an Oxford historian commenting on whether it was a foreign policy disaster that ranked with Suez.

No, instead, the boys and girls in the BBC so-called comedy department – fresh from this week’s disastrous re-make of Are You Being Served? – have in mind something a bit more in keeping with their thoughts about the former Ukip leader.

For those who did not have the doubtful pleasure of seeing the Grace Brothers’ revival episode, Michael Horgan, the Daily Telegraph’s TV reviewer is helpfully to hand. Among his comments were that it ‘crammed innuendos into the script with a crowbar’, and he then noted:

‘It was 12 minutes before candyfloss-haired Mrs Slocombe (played by a gurning, hammy Sherrie Hewson) made the first reference to her pussy and 17 minutes until Mr Humphries (Jason Watkins) trilled “I’m free”. Both were greeted with cheers yet it wasn’t enough to save this turgid, interminable half-hour.’

What Horgan didn’t say was that the script, by Benidorm writer Derren Litten, also converted the department store’s Young Mr Grace into a nasty speculative, people-hating opportunistic, capitalist who could have walked straight out of the pages of Jeremy Corbyn’s ’nationalise everything’ policy manual. How very, very BBC.

So what do the comedy department plan for Farage? According to the Radio Times, it’s a jolly one-off ‘special’ called Nigel Farage Gets His Life Back, and it will feature ‘the former politician coping with life out of the limelight’.

Now, of course, it may be that something very funny is on the drawing board. And politicians must expect to be the target of satire and mickey-taking as part of being held to account.

The BBC news department – and especially presenters such as Evan Davis – have always faithfully delivered in this respect. They have with clockwork reliability in dozens of interviews treated Farage as something of a a joke, and mechanically – even maniacally – asked questions about him being the BNP in blazers, a one-trick wonder, and worse.

Former BBC perennial presenter Sandi Toksvig – whose mindset underpins much of BBC comedy – was also in on the act, though a touch less subtly. She compared Farage to Hitler at the Hay literary festival.

Something in this equation of Farage + the BBC + comedy sets special alarm bells ringing. One clue is that ‘insiders’ told the Radio Times that his character was already being described as a ‘cross between Basil Fawlty and Enoch Powell.’

A second flash of warning comes from Kevin Bishop, the actor/comedian who has been selected to play Farage. He told the Radio Times:

‘Nigel Farage is the gift that keeps on giving…there is the moustache and now the appearance at the Trump rally, it’s going to be fun’.

Now, of course that might be true. But somehow, in a ‘spoof’ project emanating from the BBC, that juxtaposition suggests that ‘fun’ is likely to be the perennial, wearisome innuendos about of racism and right-wing extremism that have been the hallmark of the Corporation’s entire treatment of Farage.

Craig Byers, of Is the BBC Biased?, has observed:

‘And yes, alas, apparently his wife really will be brought into the mockery too. Which other well-known politician would the BBC do this to? Astonishingly, reports even say, “If the episode is a success it could be given the green light to be turned into a full series”. Just imagine that with your ‘BBC impartiality’ hats on!’

Quite. The BBC would do this to no other politician. Not even Jeremy Corbyn.

Photo by Jennifer Jane Mills

R4 Brexit Street maligns ‘out’ voters

R4 Brexit Street maligns ‘out’ voters

What could be the biggest threat to Brexit?

Tory back-sliding and plotting by remainiacs like Anna Soubry?  Undoubtedly they will have spent much of the summer fomenting new lines of subversion. They are ready pounce on and exaggerate any dissension in party Brexit ranks, as last weekend’s Sunday Times story about the alleged turf-war spat between Boris Johnson and Liam Fox underlined.

Or could Owen Smith confound the whole Westminster village, win the Labour leadership election and, with a miraculously re-unified party behind him, force, as he says he will, a second referendum? Most Labour MPs still obdurately think that voters for Brexit, many of them their constituents, were deluded fools.

Pigs are more likely to fly of course than Owen Smith is to beat Jeremy Corbyn.  But much stranger things in politics have happened in the bewildering battery of developments since June 23.

One constant in the equation, and perhaps the biggest threat of all to Brexit – through the corrosive propaganda they are continuing to generate on an industrial scale – is the BBC. Two months on from the referendum vote, they are still searching relentlessly for reasons why ‘no’ was totally a mistake.

It is impossible to keep track of this deluge. It’s suffused, for example, throughout the Corporation’s business coverage (best evidenced in Today’s 6.15am business news slot), has infected food, environment and comedy programmes, and of course, dominates news coverage. If you have doubts, take a while to browse the Corporation’s Brexit Collection on the iPlayer – almost every programme rams home hard the collective anti-Brexit meme.

Such is the scale of the effort that a whole new mythology is in the process of being forged. In BBC programmes, Brexit voters are mostly unemployed, usually almost inarticulate, and they speak in impenetrable northern or guttural regional accents. They are mostly old and despise the young. Above all, they hate strangers and immigrants to the extent that they are plotting and committing by the hour ‘hate’ crimes on unprecedented levels.

A further bedrock of this new BBC reality is that ‘out’ voters were duped by unprincipled, racist opportunistic politicians such as Nigel Farage who spun a web of fiendishly convincing lies.

Over-egging? No. A manifestation of these fables-in-the-making is being broadcast on Radio 4’s PM programme, Producers have built around a real, but unidentified ‘ordinary’ street on Teesside a series they have dubbed ‘Brexit Street’.

So far reporter Emma Jane Kirby has fronted five reports, each of which has brought listeners – through the views of local residents – what is claimed to be the reasons why people voted out.

In the right hands, this could be interesting, revealing broadcasting. But this is the BBC, and instead it is a caricature of Northern voters that is beyond parody.

For a start ‘Brexit Street’ is not ’ordinary’. The exact location has not been revealed to listeners. All that has been said is that it is in the town of Thornaby-on-Tees, an inner city area sandwiched between Stockton on Tees in the west and Middlesbrough to the east.

A little digging from the facts presented by Kirby (it has terrace houses, a Salvation Army premises, a bookies’ and a supermarket) reveals that it can be only the local thoroughfare, Westbury Street. And once identified, a whole series of alarm bells start ringing.

First, the housing is mainly old inner city stock and a terrace house can be bought there for between £40,000 and £60,000, compared with the local average of around £100,000 and a regional North-eastern figure of around £120,000.  So it’s pretty downmarket, even in an area (Middlesbrough especially) which is facing very tough and exceptional times because of the closure of the local steelworks.

Second – and this is probably the killer blow to any pretence of balanced journalism – Kirby revealed in the opening report that ‘a large number of asylum seekers’ are residents. Further spadework reveals that Middlesbrough and Stockton town councils are the only two in the North-east which are accepting asylum seekers on a large scale. There are nearly 700 in the local government area covering Thornaby, equating to one in 280 local residents.

That said, Westbury Street has only 120 households, and the local average house occupation rate is 2.3 – so it would be expected that only one or two residents there would be asylum seekers. Kirby, however, says there are ‘large numbers’ living there (and of course she’s interviewed many of them) – suggesting that the local council is using the street for their re-settlement because housing there is especially cheap.

What this boils down to is that Westbury Street is not at all average and not at all ordinary. Kirby has focused in two of the first five reports on that the asylum seekers feel isolated and alone and are not integrated, mainly because of the views and implied prejudice of the locals who voted out.

Asylum seekers, of course, are nothing to do with the EU. But never mind the facts. Going there and projecting the alleged prejudice against these unfortunate people (one is a victim of alleged military atrocities in the Congo) as a contributory cause of the Brexit vote fits neatly with the new BBC mythology.

More reports in the series are a treat in store. What has been presented so far is a travesty of balanced journalism.

BBC snooping intensifies in pursuit of iPlayer licence-fee dodgers

BBC snooping intensifies in pursuit of iPlayer licence-fee dodgers

Watch out!  Are you about to be packet-sniffed by the BBC?

The prospect of millions of viewers being snooped upon by Corporation licence-fee collectors in unprecedented ways is firmly on the agenda.

The BBC has denied that the actual ‘packet-sniffing’, which (for the uninitiated) involves breaking into private wi-fi networks using special software, and is illegal if used privately, will be involved in their collection activities, but their protestations are not fully-convincing.

Even their friends on The Guardian smell a rat.  And definitely being deployed the length and breadth of the land by collection agents Capita from September 1 in order to catch miscreants who dare to access the BBC iPlayer via their computers – even if they don’t also have a TV set – are a range of new snooping measures that put the licence evasion operation even more firmly into the Big Brother league.

The BBC won’t reveal what these measures are, or what equipment they will actually use, but they have been granted extra enforcement powers under the Investigatory Powers Act, which was passed by the Blair government in 2000, and enables eavesdropping by authorised bodies using a vast array of sophisticated equipment.

Why is this deemed necessary in the run up to Charter renewal? Because despite pressure on the Conservative government to find new, less repressive and more modern ways of funding the Corporation – and dozens of well-argued options being out there – former Chancellor George Osborne decided instead to cave in to Corporation pressure.

Perversely, the BBC, an organisation that goes into indignation overdrive at the very mention of state intrusion in other arenas, thinks that mass-spying and the criminalisation of 153,000 people a year is both justified and essential in pursuit of its own reservation and ends.

No matter that tens of thousands of these offenders are the least well-off, Osborne ruled in 2015 – despite the advice of then culture secretary John Whittingdale – that the licence fee would not only continue but would be extended to viewing of catch-up services on the BBC iPlayer.

All this interference would be completely unnecessary if the BBC’s totally outmoded financing system, dating from an era when the broadcast spectrum was a scarce resource, was scrapped and replaced by subscription funding.

Audiences would then be able to choose which programmes and services they wanted to buy. This is a consumer model which applies to almost every other product, and which works perfectly well as a revenue model for Sky, Netflix, HBO and legions of other broadcasters.

Instead, the government has gone completely the opposite way, and the UK is saddled with this regressive and repressive regime from September 1 until the next Charter review in ten years’ time.

The statistics on licence enforcement make for fascinating reading and underline that the agenda here is not at all straightforward. Nuts and sledgehammers come to mind. Is such massive intrusion actually required?

And the suspicion emerges that in play also might also be the government’s desire to protect some of its own revenues rather than to open up broadcasting to normal competitive pressures.

Facts (gleaned from a variety of sources, including here):

The BBC, through Capita and the magistrates’ court system, pursues each year 170,000 cases a year of licence evasion.

The number has been rising at the rate of 4% per annum.  They (and Capita) are thus becoming increasingly intrusive.

Of these, 153,000 prosecutions a year are successful.  The vast majority of ‘evaders’ are from low-income households, often those headed by a single parent.

This volume amounts to 11.5% of total cases in magistrates’ courts, but the combined workload takes up only 0.3% of court time because cases are rarely contested and hearings are en masse in special courts. This means that the cost per prosecution is only £28.

The average fine plus surcharges for non-payment (with offenders having to pay the licence fee on top) is £340.  This means that the total yield of licence evasion to the Ministry of Justice is around £52 million. Astonishingly, that’s approximately 10% of the total fines revenue imposed in UK courts (£550m). Put another way, licence fee evasion is a cheap cash-cow for the Ministry.

And yet, conversely, licence fee non-payment adds up to only a small fraction of the Corporation’s £3.7 billion n licence-fee revenues. The £3.7 billion equates to 25.5 million licence fees – roughly in line with the number of UK households. Evasion is only £22.3m, or roughly 0.5% of the total.

The law is the law, of course…but a central question here is whether ever-expanding intrusion, with all the unpleasant elements such snooping entails, can be justified? Is it right that tens of thousands of the UK’s poor continue to be criminalised in this way? Netflix and Sky simply cut people off.

Whichever way you look at it, the system is outmoded, Orwellian and in some respects, plain ridiculous. George Osborne has a lot more than extreme Europhilia to answer for.

Photo by dan taylor

Can new Culture Secretary Karen Bradley Sort Out BBC Bias?

Can new Culture Secretary Karen Bradley Sort Out BBC Bias?

These are frustrating times for those who want an end to BBC bias.

Post-Brexit, there has been a concentrated deluge of pro-EU, anti-Brexit broadcasting. The primary intent seems to be to force a second referendum and keep the UK in the EU. Evan Davis, as ever, is among those leading the charge.

The highly biased coverage of post referendum affairs shows that the Corporation is totally out of touch with the 17m who want out. Their version of ‘understanding’ them is to go to backstreets in the most deprived areas of the country and patronise the locals.

But the malaise goes much deeper. The reporting of Hinckley Point saga last week showed that yet again, their only agenda in the thorny issue of energy supply is that of the Green Blob.

In the BBC universe, fantasy ‘climate’ targets (espoused by the High Priests of EU-funded Greenpeace) to keep temperature rises below 1.5 degrees centigrade are considered far more important than the urgent need to keep millions of pensioners and young families warm at affordable prices.

Add to that their extreme reluctance to attribute terrorism to anything other than ‘mental illness’, and the BBC’s bloody-minded drive to undermine whenever possible British culture and tradition, and the overall picture of bias reaches crisis proportions.    There is a rot at the heart of the Corporation’s outlook that only an Augean cleansing will achieve.

John Whittingdale’s White Paper on BBC reform was published back in early May. Thanks to George Osborne’s meddling over the licence fee, it was sadly a fudge. Instead of effective change, including funding by subscription, which as an Institute of Economic Affairs paper has adroitly pointed out, would have genuinely opened the Corporation up and made it sensitive to viewers’ needs, it perpetuated the licence fee for another decade.

The other changes were thoughtful and significant but nowhere near enough. There was scrapping of the failed Trustees, budgetary scrutiny by the National Audit Office, and the creation of a new, souped-up Executive Board made up of a mixture of BBC executives and independent directors (including the chairman).

Further changes involved overall regulation by Ofcom on the performance and delivery of services, and as the body of appeal in matters of impartiality. This was the most glaring mistake. An end to BBC bias will only come about when the Corporation content is opened up to genuinely independent scrutiny. Ofcom is run by former BBC staff, with their same outlook, and so in this respect the White Paper was a total dud.

All this was thrown into turmoil after Brexit when Whittingdale was unceremoniously fired in the Cabinet shake-up. In his place Karen Bradley – elected as an MP (for Staffordshire Moorlands) for the first time only in 2010 – was elevated to Cabinet level from her previous (and only government) role as ministerial support for May in the Home Office.

There’s nothing wrong with injection of new blood, but it means that the Culture department is now being run by an accountant with no experience of media management at all and very little too, of what Bill Clinton called ‘change-making’ at government level. She is an ingénue when it comes to the Gormenghast-politics of the BBC.

The BBC, by contrast, has years of experience of seeing off challenges to its so-called independence, and indeed has battalions of staff trained to pursue that end. This does not bode well at all. Director General Lord Hall and his main henchman in this department, James Purnell – himself a former Culture Secretary – must currently be feeling like cats who have found the cream.

Bradley, of course, may turn out to be a tough cookie, and there is no rule that says a minister of state must have previous experience of the subject matter of his or her portfolio. Indeed, a fresh eye and an outside perspective can be a catalyst for genuine change.

However, broadcasting is not just any brief, and the BBC not just any adversary. Politicians of every stripe are star-struck and mesmerised by the Corporation. They are terrified that saying the wrong things will incur Auntie displeasure and disfavour.

This, disappointingly, became sharply apparent this week when the Commons Culture, Media and Sport Select Committee published with very little fanfare its report on its reaction to the Whittingdale White Paper. The findings? They have tamely accepted most of the fudged changes, turning their fire only on a relevantly minor issue, the high level of pay of some BBC talent.

Most tellingly, there’s not a peep about complaints handling.

On that basis, as things stand, the Corporation could well be off the hook yet again (unless Bradley surprises us all). It looks that for another decade the BBC public will be saddled with the licence fee, the deckchairs will be re-arranged slightly. And BBC bias will carry on relentlessly.

Photo by Foreign and Commonwealth Office